Erik’s wide grooves, toothy tone, and tasty fills keep Sonia Dada’s now 12-piece juggernaut firmly on course in a polished yet intense live collection. Scott scoops a sollop of funk onto whatever he does, but he really lays it on thick when the feel says “New Orleans.”
Richard Johnston, Bass Player Dec. 1999
Lorraine Devon Wilke wrote a nice HuffPo piece after our interview, covering a lot of hallowed ground. Read the interview with Erik Scott.
“With bass lines like these Scott could end up being the next king of modern-rock low end. This disc’s songs are complex, fresh and beautifully recorded- and Scott’s deep, syncopated grooves all work beautifully.”
– Karl Coryat, Bass Player Dec. 1998